JCM 2000 DSL 50. Bought in 2001. Used to be my brother’s.
Ever have a tool or thing that you’ve used for a long time? Something that you’ve taken with you as you’ve traveled across a country or two? Well, its time that I move on from my glorious half-stack that has been with me for the better part of thirteen years, and most active for the first ten.
Back in 2005, I begged my dad for an Orange 4×12 guitar cabinet to compliment my brother’s Marshall JCM 2000 DSL 50 head which I had commandeered since I was active in a band. Much to the chagrin of my bandmates, they would have to help me carry the cabinet in numerous venues across Canada, until enough was enough and I had to get casters installed.
Aside from its beautiful black/gold/orange totem I had developed a setting that I still hold true to this day in my digital solid state devices (or at least as close as I can get it).
The head symbol is of the band I was in for 10 years, and the omega/headphone-face is my own thing. Both have scars from being on the road. Well worn I think.
In 2012 I dubbed my Marshall/Orange rig as Angie, after having the artwork for “Or How I Learned To Stop Worrying…” done, it was only apparent that I needed to realize the robot character as something tangible in reality to give my serious musician hobby some meaning.
Ol’ Angie was collecting dust for the last three years, so I needed to get rid of her. I contemplated selling off the speakers and turning the Orange cab into a half-shelf/half-cat bed (“No…ol’ yeller is my dog…”) but I decided to trade it off to a good buddy of mine where she’ll be loud and proud. Selling her off to some stranger just doesn’t feel right otherwise…
I have to thank my dad for buying those to two pieces of equipment, and I really hope he realizes that I’ve maximized the usage of that rig for the ten years that I’ve had them together, being on stage with them probably about two-hundred times. It’s been on stage with Left Spine Down, Dope Stars Inc., Bile, and its last tour with Cyanotic. Well used in the bands Far From Ruin, and The Rabid Whole. Getting it’s warmed up debut in my hometown of Regina, SK, before travelling as far as Montreal, Vancouver, Austin, Los Angeles, and New Orleans. I might as well be talking about myself.
I’m looking forward to playing on new gear that I can (one-man) carry around with me, but… *cue song Nothing Compares To You*
End of an era, and start of a new one.